Songwriting courses are exploding in popularity, with everyone from Mark Ronson to Alicia Keys as teachers. On a retreat in north Wales, our folk music critic tries to write her first song
Imagine you’ve spent the past 20 years writing about songs but never had the chops to write one. This is my penance: sitting in a room in north Wales, with a tiny keyboard and notebook spidery with attempted lyrics, the only rhythm in my ears my rave-energy heartbeat, the only melody in my mind the lilting panic of my inner critic going: “Argh!”
It’s the final day of a four-day songwriting course at Literature Wales’s 16th-century HQ, Ty Newydd Writing Centre, led by Brian Briggs of folk band Stornoway and Welsh poet and songwriter Paul Henry. Tonight, I have to perform an original song with two relative strangers, in front of people I didn’t know four days earlier. This particular terror is the climax of a bigger endeavour on my part: to explore the growing popularity of songwriting courses, and to find out if they work.
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